I must apologize for being a day late on my weekly update, the time got away from me this past weekend. Nonetheless, I do have some news on my experience with Sony Laredo Repair regarding my NEX-7. Unfortunately, as most of you know, Sony decided to overnight my NEX-7 the night that I left for Spring Break. I got to Florida, while my camera arrived at my university. Tough luck for me. At any rate I picked it up today and found to my surprise that Sony seemed to give my NEX-7 a makeover. It almost feels like a new camera (it’s not though, I remember a few scratches unique to the camera)! The viewfinder is spotless, the screen has either been replaced or heavily cleaned (a protective film was over it), the entire body was wiped down, and the IR glass filter in front of the sensor is brand-new (the reason I sent it in). With everything covered under warranty, and the sensor brought back to essentially new condition, I am—finally—a pretty happy camper. I can’t wait to get back in the swing of all things photography: I’m learning some techniques for light painting this week, photographing a few sporting events, and will make time for a photowalk if the rain/cold briefly clears up.
Plans aside, last week down in sunny Florida was a blast. I chose the stress-free option for break, staying far away from any sort of partying. Instead, relaxing on the beach and catching up with/making new friends took up the majority of my time. That little Canon point-and-shoot I brought along did an O.K. job, at least for a 5 year-old camera. I definitely had to take a step back and focus on getting exposure, white balance, and composition right: with only 8 megapixels of low-quality JPEG to work with, there isn’t any leeway for post-processing!
Pardon the dust/sand. 🙂
As I mentioned last week, this PowerShot has a nice macro mode at the wide end, allowing for some SUPER close focusing that gives me some good control over depth-of-field. As such, there’ll be a lot of macro shots in this post. 🙂 To work out your own equivalency in focal length/field-of-view, this camera’s 6-60mm lens covers the 36-360mm field-of-view in 35mm-format terms. Simply take the mm’s listed in the following picture’s EXIF data and multiply by six.
Misty Bud
6mm, ISO 80, f/2.8, 1/160
Matthew Durr Photography 