Howdy there! Right up to the few days before Christmas, I hoped to get my last couple catch-up posts written up online from Yokohama and Tokyo. Unfortunately for the past six days straight I had work almost the entire day (and evening), so you can imagine all I wanted to do when I made it back to my barracks was sleep! Rest assured, though, the photos aren’t going anywhere soon, and I will work on them upon returning from a two-week hiatus.
Speaking of why I’m taking a break anyway, Merry Christmas and a happy holiday season to all my readers out there, I hope you take note to spend some good time with friends and family, and maybe treat yourself to a little photography gift this year too. C’mon…you know you deserve it! On break I will be photographing and videoing with my new a6500, so we’ll just have to see just what this blocky little camera can do (spoiler: I love it so far…except for it missing Tri-Navi…).
And with that, I leave you with my first photograph to share from the a6500. Actually, it’s 12 photographs stitched together with Lightroom CC, a whopping 87 megapixel file! And if you look a little closely, you may spot a nice little moon “ornament” shining brightly in the center of the tree. Take care guys and gals, I’ll catch you on the flip side. As always, have a great day!
Christmas at the End of Blue Hour
32mm, ISO 100, f/5.6, 1/30, 12 photos stitched
(If you are unfamiliar with this continuing series, please see this post first)
There’s a particular kind of photograph I have always wanted to make focusing on the importance of bokeh. I’m sure many of you are familiar with it, it’s the kind of shot that is completely out-of-focus, and the picture is of strands of small lights strung up along someplace like a fresco dining area. A few things have always prevented me from doing this. 1. Phones/P&S’s that I used to have with me couldn’t throw the background out-of-focus enough to get good bokeh. 2. The shots usually look best when taken at night to emphasize the balls of light—taking a picture at night with a P&S was never really an option anyway. 3. In my hometown, there aren’t any restaurants with this particular decor to shoot!
During my photowalk in the city a couple of days ago to get some great shots for the Sony 35mm f/1.8 OSS review, I came across such a restaurant. They were closed (oddly, being a Friday night and all), but the light strands were still on and bright. The motivation for this shot also stemmed from one of the first few assignments I have for my photography class, to capture a scene completely out of focus. At first glance, I was pretty disappointed:
Straight out of camera, no wonder this shot didn’t make it into the final review. It’s just a bunch of boring strands with a crushed-dark background!
However! I remember seeing much more detail in the background when I captured the shot. Knowing the awesome dynamic range of the Sony NEX-7, I wondered how much I could push the exposure to bring out the shadows and darks in Lightroom 4. Much to my surprise, with exposure/white balance/saturation adjustments later, I realized I had captured a photograph that combined both circular and angular geometry with multiple splashes of color!
35mm, ISO 100, f/1.8, 1/15
Now that’s more like it. I need to remember to not be so hasty in dismissing my shots! It’s easy to forget how well Lightroom 4 can save an exposure—when shooting in RAW, you truly can “shoot first, expose later” to a certain extent. 🙂
That’s all for this quick post guys and gals. Thanks for dropping by!