Well…I’m finally doing it. After years of owning this 11-pound tank of a telephoto, it’s time to put together a review of “Big Papa”. I’ve shot with the lens for events and wildlife sparingly, in my time in Japan I couldn’t just drive anywhere with this optic in tow. All my photowalks consisted of train rides and lots…and lots…of walking. Now that I’m finally back in the States, and I have a high-performance full-frame camera to test on, I have the opportunity to really get out there with the lens and try some more wildlife shots, and perhaps some sports/events if I get the chance. Thankfully I do have at least a few shots over the years that will easily find their place in the review if needed. Continue Reading
As it turns out, I got a bit lucky and found just enough time to briefly look through my last outing to Yokohama touring some of the winter illuminations downtown. Though the Red-Brick Warehouse had its own Christmas Market (more on that in a later post!), the tail-end of the night drew my friend and I outside Yokohama World Porters to catch the ever-colorful Cosmo Clock. Every 15 minutes after sunset the enormous ferris wheel gives a nice show, so it gave us many opportunities to attempt some time-lapse videos (and to grab a warm caramel drink from the vending machines in-between shows!) that I’ll piece together later.
As it’s that time of the season, I wanted to wish all my readers a Merry Christmas and a Happy Holidays to whatever else you may celebrate in your neck of the woods. As I’m taking a break myself for the end of the year, it’ll be at least early January before I can write up my 2017 website recap, and boy will there be plenty of photographs to share! Until then, take care these next couple weeks, spend some time with friends and family, and ring in the start of a brand-new year. That’s all for this quick holiday post, guys and gals. Thanks for dropping by and as always, have a great day!
Slowly but surely I am upgrading the lenses in my kit to be full-frame compatible. Longtime readers of my site already know I sport a deep collection of Nikkor AI-s lenses, ones that I could easily adapt to a full-frame a9000 or the like. As time goes on, however, I begin to notice the problems the old optics exhibit almost universally: low sharpness/contrast wide-open, mediocre flare performance, and relatively pronounced chromatic aberrations at larger apertures. I’m starting to see the benefits that modern optical formulas can provide where vintage lenses can rarely match.
With the Laowa 15mm f/2, I have found my wide-angle option to cement itself as part of a full-frame-ready kit. Featuring a native E-mount optical design, the compact and fast lens feels right at home even on an a6500, and performs quite admirably all-around. Does the lens perform up to its steep price point compared to the competition? Let’s take a look! As always, if you are unfamiliar with my lens review style, check this post first! Continue Reading
Every year when September rolls around, I have little to complain about. The weather starts cooling off from the oppressive heat of the summer, oceans are still warm to explore in, and various flora are still alive and kicking to add some greenery to photographs.
In spite of some great weather and photographic opportunity, however, September is also one of the busiest months of the year at work. In addition to last-minute preparation for Navy advancement exams, this marks the second year I’ve participated in Yokosuka’s annual “American Sound in Yokosuka” concert, as well as two other “Hojinkai” jazz concerts in Miura and Kawasaki. In fact, the weekend I’m posting this website update is one of the few times I have had a couple consecutive days off this month!
Day job aside, I’m still working on writing my Laowa 15mm f/2 review, and have already made all the necessary product and technical test shots. All that’s left now is to go out once or twice more to get more real world photographs! On my first outing with the lens, I returned to a sunny Yokohama and walked around the whole day to see what I could find. By sunset on Osanbashi Pier I captured the ever-colorful Cosmo Clock with my other trusty Laowa, the 105mm f/2 STF. Due to my attempt at a quick turnaround in reviewing the lens (by comparison, my recent review of the Rokinon 16mm f/2 has select photographs from three years of shooting), I’m hoping I can still run the lens properly through its paces. First impressions, however? It’s a fine wide-angle with few faults!
Otherwise, in the wide world of photography, there isn’t a whole lot to report back on. The awesome Nikon D850 has launched and is starting to become widely available, while Sony launched the RX10MkIV, another evolutionary upgrade to its great bridge camera line. The rumor mill is still stirring for Sony’s next “pro” camera, as the A7 (as well as the A7s/A7r) is well overdue for an update. Meanwhile, I’m still just sitting over here hoping for a full-frame a9000 in the NEX rangefinder-style body. Honestly, it’s just a matter of time. 🙂
That’s all for this September update, guys and gals, thanks for dropping by! If all goes well I’ll have a couple days the next two weeks to take the Laowa 15mm f/2 out again to try and get some sample photos to do this compact optic justice. Until then, thanks for dropping by, and as always, have a great day!
I knew it would happen eventually. As I gradually grew out of my telephoto lens bubble I was so happy to stay in for a few years, it came time to look around for a decent wide-angle lens for travel photography, wide street shots, and one-shot landscapes (constantly having to stitch together shots with my 32mm Touit anytime I wanted a wide shot got tedious fast). So, about three years ago I scrounged around for a deal on a used Rokinon 16mm f/2. Although it was APS-c only, 16mm is still decently wide and f/2 is a nice aperture for low-light handheld shots.
Unabashedly a “plastic-fantastic” lens, does the Rokinon 16mm f/2 hold up on the a6500? After three years of shooting, let’s find out! As always, if you are unfamiliar with my lens review style, check this post first! Continue Reading
Better late than never, I always say. I took some much-needed time off this past July 4th Weekend to catch up with some personal errands, so getting a website update out in time wasn’t a top priority. 🙂
That said, I can keep this month’s update pretty short and sweet. Aside from finishing up my South Korea posts, June saw me get back into the motions of writing lens reviews with my personal favorite Laowa 105mm f/2! Definitely give that lens a look-see if you find yourself wanting super-creamy bokeh in almost every shot. Currently I am working on a review of my Rokinon 16mm f/2, which has served me pretty well over the past year. Not a great lens, but for the price it does a good job at a relatively wide focal length.
As you can see in the title image, I had a little fun working a July 4th Color Run on base to help get my action photography muscles back in shape. For more shots from the powder-filled day (and yes, my camera gear and I got covered…), check out the department’s photo album here. I think I may start wearing a clear poncho to these kinds of events to protect my stuff!
In the world of Sony, the month of June has been a relatively quiet one. The A9 is, of course, garnering a lot of attention for shaking the foundation of the DSLR-dominated pro market, so I can only hope that continues (along with tech from the crazy camera trickling down to other models in the near future). As such, that’s all for this quick update, guys and gals, thanks for dropping by! As always, have a great day.
Longtime followers of my website may know that the 105mm focal length is one I have gravitated towards for many years of my photography. From my beginnings with the classic Nikon 105mm f/1.8 AI-s, I enjoyed the pleasure of dabbling with other lenses such as the up-close Nikon Micro 105mm f/2.8 AI-s and even the super-compact Nikon 100mm f/2.8 Series-E. All three of these lenses provide a medium-long telephoto on the APS-c cameras I used them on, and they all served their uses in my photography. In fact, I still dust off the Micro 105mm f/2.8 for all of my product shots! However, until late last year, I had all but abandoned the focal length for general photography and transitioned to the Nikon 85mm f/1.4 AI-s instead for my moderate telephoto needs. The 85mm has less chromatic aberration than the 105mm f/1.8 at equivalent apertures, focuses close enough for quasi-macro shots, and provides much more separation than the Series-E lens ever could.
At the same time, there was always a lens that intrigued me in the Sony lineup: the 135mm f/2.8 STF. With a special apodization element, the lens rendered out-of-focus backgrounds unbelievably smooth, giving “creamy bokeh” a whole new meaning. Even ignoring the current $1400 price tag, the lens wouldn’t make a lot of sense for my style of shooting on an APS-c camera. So for a while, the 85mm f/1.4 remained my go-to for low-light medium telephoto work. That is, until Venus Optics came onto the scene with their unique 105mm f/2 STF lens in mid-2016, promising the same kind of bokeh-smoothing effect with its own apodization element, all at a moderate price tag of $700! At this price point, and with these kinds of features, the obvious curiosity concerns its performance wide open as well as the effectiveness of its apodization element. Does it deliver? Read on to find out! As always, if you are unfamiliar with my lens review style, check out this post first! Continue Reading