Welcome back to another website update, folks! August marks the last full month of summer, and Japan definitely felt the heat for a lot of the month. I didn’t get to experience the “beach scene” that is apparently super popular here, though I had some personal time a couple weekends to go stand-up paddle-boarding (harder than it looks!) and deep-sea fishing for mahimahi. For the former, I’ve managed to paddle-board over 4 miles without falling off, and the latter, caught hundreds of pounds of fish with a fierce sunburn worn as a battle wound. Continue Reading
It’s a Christmas miracle! No, I’m not dead after all. However, the firm grip of graduate school has my schedule tied up in all sorts of knots. To make a long story short, I have found it nearly impossible to take time to pursue any photography endeavors lately, even paid opportunities. When you’re in five school music ensembles, preparing auditions for military bands, and still squeezing in a couple academic classes on top, any free time quickly gets assigned to eating and sleeping.
Sob story out of the way, I never know when I may get more free time. It may even be as soon as this coming semester, and I may also have more paid opportunities to persuade me to make more time for my secondary passion for photography. Regardless, I am so close to catching up with all my previous work. After this post, I just have to put together the last quarter of my grossly-overdue 2014 Project 52 (which may end up being posted in early 2015, whoops!), and I’m all set! Continue Reading
Just like last week’s installment of my 2014 Project 52, I am working one bit at a time towards getting this past summer’s photographs organized and uploaded. On one weekend in-between a three-week sports camp photography gig, my family and I traveled only a few hours north to the small town of Nashville, IN just for the sake of going.
Nestled in the southern portion of Indiana, downtown Nashville is full of dozens upon dozens of artisan shops, stores, and eateries. Surrounded by trees and gardens, each block of the town looks something akin to this:
In the world of fast primes, not often are the specs of “200mm” and “f/2” combined in the description of a single lens. Inherently large and heavy, the ultra-fast design of a 200mm f/2 has long enabled photographers to effectively shoot telephoto in very low light as well as create stunning subject separation simply not possible with a 70-200mm f/2.8 zoom. Though the available light advantage afforded by the f/2 aperture is somewhat offset by the high-ISO abilities of modern digital sensors, the extra depth-of-field control still has its place in creative photography. Additionally, when used on an APS-C sensor camera like the NEX-7, a 200mm f/2 helpfully acts as a 300mm f/2.8 would on a full-frame camera.
Though it should come as no surprise, telephoto primes such as the Nikon 200mm f/2 are somewhat bulky and cumbersome even used with a suitable DSLR like a d300 with its vertical grip. When a lens of this caliber is mounted onto a comparatively tiny mirrorless camera such as the Sony NEX-7, the combination looks outright comical. That said, it is far more important to see how the lens performs in front of an unforgiving 24-megapixel APS-C sensor in making photographs rather than how the kit may turn heads at an event. Read on to find out how the 200mm f/2 stacks up as the professional fast telephoto it aims to be. As always, if you are unfamiliar with my lens review style, please read up on this post first! Continue Reading
Now halfway through my most current yearlong photography project (first quarter can be seen here!), the increasingly-varied topics for weeks 14-26 in my Project 52 made for some challenges in going out in the “Snowmageddon” winter that plagued much of the United States. Thankfully, the worst of it all is past, and rarely does it dip into sweater weather anymore in Kentucky. In an effort to keep with my original goal, all the shots in my project are captured with the Sony NEX-7, and with my recent exploration into studio lighting, I have new ways to light my photographs like never before. That said, descriptions accompany all the following images:
When I had to pick a subject representing my favorite food, I realized that I couldn’t come to any one decision on a dish that I craved more than any other. So in an effort to make the choice a little easier, I picked my favorite meal of the day. Though many in the world today skip breakfast to save time in the morning, I find making an effort to get filled up on all the right stuff rewarding in its own right for the health and energy benefits. It is all about balance, though. If I do not offset those toaster strudels with good choices like fruit and wheat cereal, I would only be making it harder on myself.🙂 Continue Reading
Structured photo challenges are a great way to focus a photographer’s creativity towards specific subjects or assignments. Last years’ Project 52 with a local photography group was my first foray into this year-long event, and I did not want it to be my last! In fact, I considered to undergo a project 365 this year, but my semester of student teaching kept me indoors and working almost all day, every day. But I could manage one photograph a week, of course. After all, there are weekends to enjoy! As such, this is the first of four quarters of my most recent project 52 that will span most of 2014. These photographs span from early November to just a few days ago, and since I am not sharing an entire year, I can elaborate on each photograph’s theme and backstory a bit more.
So let’s kick it off with week one. All photographs captured with the Sony NEX-7. Click on each photograph for a larger 2000×1333 size:
The first topic for my project was typical for the season, asking for an autumn photograph right when most of the foliage in Kentucky was at peak color. Oak trees have a particularly warm color when they begin to change, and when they are backlit by an equally-warm sunset, the overall aesthetic is pretty cozy. The f/2.8 aperture helps blur out the rest of the sky and treeline in the background just enough to give the subject leaves the necessary “pop”. Continue Reading
Not so hot-on-the-heels of my last post over a month-and-a-half ago, here I am making some time to address my blatant inactivity on the site. As it turns out, student teaching and photography don’t happen to mix very well. My particular placement and accompanying assignments give me next to zero free time for anything else. Seeing as the essentials—sleep, eating, and physical activity—take up the majority of that time, finding a slot to simply “go out” and make photographs is a near impossibility. This busyness has also forced me to cancel my anticipated pre-order of the new Zeiss 16-70mm f/4 OSS, a popular lens that I would have loved to review. That’s the bad news.
However, every now and then I still take photography assignments from my university for sports and other campus events. This, at the very least, helps keep my shutter finger trained and my manual-focus skills honed. Per the proverbial light at the end of the tunnel, my student teaching will go only until this end of this calendar year. So in theory, next year I will be able to get back to my usual updating with photo-walks and all manner of lens reviews for you loyal readers to enjoy (many thanks for the recent subscriptions despite my absence). That’s the good news.
In…other news…if you have been living under a rock for the past couple months, there’s been a lot of buzz around the near-future of Sony’s E-mount. Some rumors are claiming Sony to introduce a whopping three E-mount cameras, all with a full-frame 35mm sensor! One is a supposed “NEX-9”—a camera I’ve dreamed about ever since the first time I shot with my beloved NEX-7—while another may be an ILC-9 or a9000 (a full-frame version of the already available a3000). Since that one will be relatively bulky with its pointless DSLR shape, it appeals less to me (well, the added grip of that shape gives it some relevance). Regardless, come mid-October, Sony has the very real chance of taking the mirrorless photography world by storm, and I’ll be watching avidly for pre-orders.😉
Now, time for some photographs, right? Over the past year, I’ve taken part in my own Project 52, submitting one quality photograph for every week of the year under a supplied theme. My “supervisor” for the project is a local photography group that I’ve joined on Meetup.com, and the ability to see multiple other photographers’ work as the project progressed made the entire process more enjoyable.
All the following (52 in all, so yes, there’s quite a bit of scrolling ahead) photographs below are downsized to a web-friendly 2000×1333 ratio or similar to keep the site’s bandwidth from filling up. Most here are captured with the NEX-7, though a few captured with other cameras found their way into the project. A good number of these photographs have been featured elsewhere on my website in lens reviews or other photographic posts. Also, all photographs are in the ProPhotoRGB colorspace to get correct yellow saturation levels, so depending on your browser and viewing device (I recommend Google Chrome on a desktop computer), these photographs may have odd saturation levels on your screen.