To continue on with my yearlong project of topic-driven photography, weeks 27-39 threw even more creative challenges my way that unfortunately forced me to do some photographs outside their original time slot. Turns out, it is pretty difficult to manage personal photography pursuits on top of freelance assignments that have to come first. However, in these past couple weeks, I began to catch up in editing photographs for website posts here. To kick things off, let’s get up to speed on the third quarter of my 52 photographs:
Hiding in Plain Sight
Nikon 400mm, ISO 400, f/2.8, 1/400
Adolescent rabbits are very fun animals to play around with. Depending on their age and fear of humans, you can walk right up to one and almost pick it up before it scurries off. This little guy didn’t know that even when hiding in tall grass with his ears back, a photographer can still see him! Continue Reading
In the world of fast primes, not often are the specs of “200mm” and “f/2” combined in the description of a single lens. Inherently large and heavy, the ultra-fast design of a 200mm f/2 has long enabled photographers to effectively shoot telephoto in very low light as well as create stunning subject separation simply not possible with a 70-200mm f/2.8 zoom. Though the available light advantage afforded by the f/2 aperture is somewhat offset by the high-ISO abilities of modern digital sensors, the extra depth-of-field control still has its place in creative photography. Additionally, when used on an APS-C sensor camera like the NEX-7, a 200mm f/2 helpfully acts as a 300mm f/2.8 would on a full-frame camera.
Though it should come as no surprise, telephoto primes such as the Nikon 200mm f/2 are somewhat bulky and cumbersome even used with a suitable DSLR like a d300 with its vertical grip. When a lens of this caliber is mounted onto a comparatively tiny mirrorless camera such as the Sony NEX-7, the combination looks outright comical. That said, it is far more important to see how the lens performs in front of an unforgiving 24-megapixel APS-C sensor in making photographs rather than how the kit may turn heads at an event. Read on to find out how the 200mm f/2 stacks up as the professional fast telephoto it aims to be. As always, if you are unfamiliar with my lens review style, please read up on this post first! Continue Reading