Summer keeps on a-rollin’ in the bluegrass, as temperatures remain warm, fields stays green, and flowers continue to grow. At the same time, and just how I detailed a couple weeks ago, my summer work keeps me busy for a lot of the time I would prefer to dedicate to photography. That’s the downside to making money, I suppose. It does take time and effort to earn it. 🙂
On the bright side, with all the recent rumors flying around about the full-frame NEX, it’s a good thing I’m saving my money! As many readers know, a full-frame NEX-7-styled camera is one that I have dreamed of for a long time. I’ve got just about all the full-frame AI-s Nikkors I need for such a camera, so the rumored announce date of September 24 cannot come soon enough!
Back to the here and now, let’s take a look at all things photographic over the past couple weeks:
First up, I’ve been getting some responses to my Zeiss Touit 32mm f/1.8 review in regards to the lens’ supposed “poor” bokeh. While I cannot argue that bokeh at medium distances can be either unique or distracting—depending on how you look at it—bokeh at or near close-focus is plenty smooth for both effective and pleasing subject separation.

Abundance
32mm, ISO 100, f/1.8, 1/50
What I DO like about this bokeh more than the Sony 35mm is that some detail still comes through the blur from the lines of an out-of-focus subject. For instance, the background black-eyed-susans, while well out-of-focus, still have relatively defined petals to give the image context.
The thing is, with a lens as wide as the Zeiss 32mm is, rarely will bokeh be of much concern at medium- to far-focus distances, and the extra sharpness the Zeiss brings can be appreciated:
When dealing with purposeful motion-blur, though, sharpness consideration goes out the window. 🙂
Now getting to some more macros, a single set of late-summer “surprise lilies” bloomed nearby, all by themselves in the shade:
Very interesting liliies, the Lycoris squamigera are. Their circular configuration creates a nice symmetry to photograph, and the concentration of the smell attracts many small bugs:
But what got me the most this past week was a surprise nighttime visit from a large East Tiger Swallowtail butterfly. This guy flew into the porch and, like many flying bugs, couldn’t figure a way out. Eventually, he decided to settle down on the most likely of places, a fake flower bouquet!

Fake Flowers, Real Butterfly
105mm, ISO 100, f/8, 30 Seconds
Funny juxtaposition here. 🙂 Converted to black-and-white due to a bug-light emitting a color of light that couldn’t be color-balanced (even with a gray card)
After letting him fall asleep (and giving me a chance to change the lightbulb to a color-friendly hue), I went to create a couple more photographs from angles not typically seen:

Abstract
105mm, ISO 100, f/11, 25 Seconds
Even at this website’s downsized 2000×1333 resolution (click for it), the detail on each individual scale on the wing is astounding.

Sleeping
105mm, ISO 100, f/11, 30 Seconds
Click to see the embedded full-size crop, it’s amazing how still this butterfly stood. This is a thirty second exposure, and the detail in the large compound eye is tack-sharp. Also, the wound evident in the lower right of the image could be one reason this insect decided to go to sleep.
The next day this large butterfly, wound healed, still couldn’t figure a way out of the porch (even with the door wide-open!). With careful handling, I could get it to crawl all over my hands. A tingling experience you aren’t likely to get outside of the Butterfly Conservatory at the Museum of Natural History:
Now comfortable in my hands, I chanced taking the insect outside for a couple last shots:

Posing
32mm, ISO 100, f/1.8, 1/30
Still weak from not eating, I left him on the closest flower—the surprise lilies featured earlier. And…the post comes full circle. 🙂
That’s all for this update, guys and gals, thanks for dropping by! I’m still doing everything I can to make more photographs before my final year of university work resumes in September, but at the same time, I need to make as much money as possible at work. Finding balance has been the key.
P.S. I still haven’t gotten to selling the Sony 35mm yet. I’ll keep you all posted.
Great shots! Love the third photodown.
I’ve been reading your blog for a bit now and I was wondering if you had any impressions on the SEL24f18Z lens for the NEX? I don’t have a super strong preference for the focal length (Were I pressed, I would give a slight edge to the 32mm). But I couldn’t decide between the two and just picked up the Sonnar, sharp lens, but bokeh can be a bit distracting.
Also I would like to add that your reviews and tips on the manual Nikkors got me inspired! I’ve been really frustrated with the AF system (sometimes the shots are just a tad out of focus). In addition to not having a decent shot, I can’t seem to take responsibility for the photo itself. I think I’d like to pick up a 50 f1.2 or a 105 f.18.
Hey there Ali, glad you liked the photographs!
My only impressions of the SEL2418Z are from reading numbers and numbers of impressions and reviews from the likes of simple snapshooters, to enthusiast photographers, to pro review sites. I’ve never had a real need to go that wide (not a good shallow DoF lens), and the high price (well, not so high now that it’s on sale) really put me off of buying it. However! Everything I’ve read shows it’s STILL one of the best lenses you can buy for your APS-C NEX. It’s really one of those lenses to use for landscapes, street photography, environmental portraits, or other scenarios where getting out-of-focus backgrounds/foregrounds shouldn’t be a concern. If you’re wanting to go a bit more telephoto and get a more “normal” field-of-view, the Touit 32mm should be on your short list to try out. Its bokeh is nothing to really praise—save for close-focus—but it’s a fantastic lens otherwise.
And great to hear about the manual-focus Nikkors. They’ve been my workhorses for a good time now, and a good copy of either the 50mm f/1.2 or 105mm f/1.8 (make sure they’re the AI-s version!) would serve you well now and into the future when the full-frame e-mount cameras get announced. Disclaimer though, I do not own the 50mm f/1.2…yet. 🙂 Also realize that they are two completely different fields of view for different applications. Take into account what kind of photography you’re wanting to pursue and that will help guide your purchasing decision.