Now that school is back in full swing I will have to go back to my weekly update format for the near future. This way, I can have at the very least have a quality post every week filling you all in on my photography happenings. Special events and subjects (such as intermittent lens reviews and the like) will usually warrant their own post. For instance, in a couple weeks I’ll be doing a non-profit portrait session for a local organization that I will most likely be reporting back on here. Photos here and there (many of which will make it into these weekly posts) will be posted to my Google+ and Facebook pages, if you just can’t stand to go without photos from me every day.
But back to the update, I’ve used the 35mm f/1.8 OSS a little more now, and am still enjoying it thoroughly. I’m starting to be able to catch where the aberrations wide-open are, but for the most part I can edit them out, so it’s no big deal. The lens can work for full-body portraits if there is substantial distance between the subject and background, but you still won’t get near the subject separation like a 50mm f/1.4 will provide on a full-frame camera:
35mm, ISO 100, f/1.8, 1/250
What better way to finish up my return to sports photography than a true test of both my manual focusing skills and the capabilities of my camera than indoor volleyball? Sure, soccer was much more difficult to chase focus, and field hockey didn’t fall too far behind in the challenge department, but both of those sports are generally played outside; where there is a lot of sunlight. Shutter speeds can top out very fast and ISOs can stay at a cool low thanks to the abundance of natural light.
Not so for indoor sports!
Save for professional arenas well-lit by tons of floodlights or corner-mounted room strobes, getting high shutter speeds with low ISOs under artificial light is pretty much impossible. Staying around ISO 1600-3200 with a shutter speed of at least 1/500 will stop most motion in sports such as basketball and volleyball (and should have controllable noise with modern cameras). Only problem for this situation, a fast aperture is needed to get what little light there is to the sensor. If a lens isn’t at least f/2.8, forget about it, and if the optic doesn’t perform well at this aperture, consider it a nail in the coffin for trying effective indoor sports photography.
But I came prepared. Enter the 180mm f/2.8, 105mm f/1.8, and 50mm f/1.8 E (not used this time, but I brought it just in case), three lenses that perform very well at f/2.8. With these I get the light, I get the shutter speed, and I also get the “pop” from the large aperture allowing subject separation. In other words, no worries.
All of the following captured with the NEX-7. I decided to not apply any noise reduction to maintain as much detail as possible. Pretend it’s just like old-timey film grain.
105mm, ISO 1600, f/2, 1/500