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Tagged 300mm, ISO 400, f/4, 1/1600

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300mm, ISO 400, f/4, 1/1600

Another week, and one step closer to a break. At least, that’s been my train of thought for the past month. As always, it seems, the times leading up to finals week (starting tomorrow) are always a killer in trying to find time for photography. In a way, however, writing posts on here is a way of taking a break from studying, though I do feel a bit productive at the same time. :D Besides, last week I couldn’t afford any time to do an update. Not today!

A lot has happened lately. Let’s get down to it. Continue Reading

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Like Watercolor...105mm, ISO 100, f/4, 1/160

Like Watercolor…
105mm, ISO 100, f/4, 1/160

So…I thought I would be able to finish my 105mm f/2.8 Micro review this weekend; I even set aside some time to work on it. One delay ran into another, and now I’m only about half done writing it. As such, I also haven’t had the time to look through the photographs I have taken this past week. There’s a lot of sports going on lately (especially lacrosse), so next week’s update should be chock-full of action taken with my NEX-7.

In other news, Sony contacted me regarding my peeling NEX-7 and claim that it is, in fact, my camera (hmm…). How they messed the LCD screen up—and left the sensor cleaning dysfunctional—is beyond me, but they are trying to make amends; I’ll be receiving a loaner NEX-7 from them in the mail soon and will send my camera off yet again. Who knows what they’ll do to it this time… :)

So, in closing, if I can find the time I’ll have that 105mm review up by tomorrow night. If not…well…it’ll get there when it gets there. ;)

Take care guys and gals.

Blooming105mm, ISO 100, f/5.6, 1/640

Blooming
105mm, ISO 100, f/5.6, 1/640
Now that plants are starting to bloom (though this technically is a weed), I will be able to get much more sample shots for when I can make time for the 105mm f/2.8 Micro AI-s review.

To make a long story short, I am in a bittersweet mood about my NEX-7 finally being back in my hands. I’m happy I finally have a “real” camera again, but am a little disappointed that A)The sensor cleaning function still doesn’t seem to work and B)The rear LCD turned out to be peeling when I took the plastic off (when I sent it in, the rear LCD was immaculate). I believe Sony has sent me a refurbished NEX-7, instead of my own camera. Not too keen on getting back a camera in worse shape than when I sent it in for repair, so I’ll be contacting them this week to see what the deal is.

But in the meantime, I’ve been busy! I photographed everything from tiny flowers to the sky this past week and managed to shake off my “camera blues” from not having my NEX-7 for over three weeks.

First up, I learned a little bit more about light painting in my photography class. Though I feel this genre is overdone and cliqué in many ways, I tried to be as original as possible Continue Reading

I must apologize for being a day late on my weekly update, the time got away from me this past weekend. Nonetheless, I do have some news on my experience with Sony Laredo Repair regarding my NEX-7. Unfortunately, as most of you know, Sony decided to overnight my NEX-7 the night that I left for Spring Break. I got to Florida, while my camera arrived at my university. Tough luck for me. At any rate I picked it up today and found to my surprise that Sony seemed to give my NEX-7 a makeover. It almost feels like a new camera (it’s not though, I remember a few scratches unique to the camera)! The viewfinder is spotless, the screen has either been replaced or heavily cleaned (a protective film was over it), the entire body was wiped down, and the IR glass filter in front of the sensor is brand-new (the reason I sent it in). With everything covered under warranty, and the sensor brought back to essentially new condition, I am—finally—a pretty happy camper. I can’t wait to get back in the swing of all things photography: I’m learning some techniques for light painting this week, photographing a few sporting events, and will make time for a photowalk if the rain/cold briefly clears up.

Plans aside, last week down in sunny Florida was a blast. I chose the stress-free option for break, staying far away from any sort of partying. Instead, relaxing on the beach and catching up with/making new friends took up the majority of my time. That little Canon point-and-shoot I brought along did an O.K. job, at least for a 5 year-old camera. I definitely had to take a step back and focus on getting exposure, white balance, and composition right: with only 8 megapixels of low-quality JPEG to work with, there isn’t any leeway for post-processing!

Canon Powershot

Pardon the dust/sand. :)

As I mentioned last week, this PowerShot has a nice macro mode at the wide end, allowing for some SUPER close focusing that gives me some good control over depth-of-field. As such, there’ll be a lot of macro shots in this post. :) To work out your own equivalency in focal length/field-of-view, this camera’s 6-60mm lens covers the 36-360mm field-of-view in 35mm-format terms. Simply take the mm’s listed in the following picture’s EXIF data and multiply by six.

Misty Bud6mm, ISO 80, f/2.8, 1/160

Misty Bud
6mm, ISO 80, f/2.8, 1/160

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Electronics, what with their extremely numerous and complex construction, have the potential to malfunction all the time nowadays. When hundreds of working parts are crammed into any one object, something is bound to eventually go wrong. Of those many parts, my NEX-7′s sensor cleaning function has stopped working properly recently. I decided to attempt a repair starting last week so I would a) Have it covered under my one-month-left warranty and b) Get a fully-functional camera ready for the majority of baseball/softball/lacrosse/tennis season.

So, being without my NEX-7 sucks, I won’t shy away from saying that. But, thanks to a generous father, I borrowed a Nikon d300 to still get the job(s) done this past week in photography. Some of my very early readers may know that I transitioned from a DSLR to a NEX. Due to the Thailand flooding that crippled Sony’s major factory, that transition was ANYTHING but smooth. In December of 2011, I was starting to really get into more advanced photography with my school paper’s Nikon d40. As an old, 6-megapixel CCD-sensor camera, it didn’t really do well in specialized situations (such as sports) where high shutter speeds were needed in relatively low-light. I pre-ordered the NEX-7 at this time. However, the athletic director was still interested in hiring me on–the shots I COULD get in ideal situations were good enough that he saw my potential. The problem? I wouldn’t get the NEX-7 until March of 2012!

So, enter the d300. A 12-megapixel CMOS-sensor beast of a DX-format DSLR. In its prime, it was the choice for event photographers who shot DX-format. Manageable noise even at ISO 3200, a fast 7 fps continuos shooting rate, more manual controls than a casual photographer could shake a stick at, and a rugged magnesium-alloy body wrapping up a professional package. In the right hands, it still is an extremely capable camera in almost all shooting scenarios, and DX-format photographers are clamoring for a successor (the d300s doesn’t count, and Nikon has stated the new d7100 isn’t the flagship DX model).

It has been about 10 months since the last time I heavily used this camera–the only subjects I’ve had to use it on are product shots of lenses attached to the NEX-7! This past week was a surefire struggle for me, as there are many advantages and features of the NEX-7 I have become accustomed to (which I may write an article on in the near-future). Using manual glass on a DSLR is an awful experience compared to on a NEX. Thankfully, for a lot of this past week’s shots, I used a nice autofocus 80-200 f/2.8 ED that I bought for my Dad on Father’s day.

But enough rambling, let’s get to some photographs! All the following captured with the Nikon d300 and 300mm f/2.8, 85mm f/1.4, and 80-200mm f/2.8 ED (which I may have to take an in-depth look at someday).

First up, Transylvania University has fielded their first-ever Lacrosse team this year, and I photographed their first home game (which ended in a win!). Conditions were pretty terrible though; low-light, rain/snow, high winds, and trying to focus my 300mm made every movement a challenge. It still didn’t stop me from coming back with some great action shots though. ;)

Boxed-In300mm, ISO 1600, f/2.8, 1/800

Boxed-In
300mm, ISO 1600, f/2.8, 1/800

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Winter’s chilly grasp has taken hold recently. Combined with my sickness (which I’m almost out of the woods with), any photography outside of assignments has been mostly a wash this week. However! I did want to at least get one photograph with that 105mm f/2.8 Micro-Nikkor. Before I move on to the rest of the post, I’m working on a project 52 (speaking of which, I will share all of them upon its completion), and this week’s theme was “Still Life”. Being a college student, I do not have the luxury of drapes, wooden bowls, and picture perfect fruit at my disposal. Looking into the meaning of still life photography–that is, the depiction of inanimate subject matter usually as a small grouping of objects–I glanced around my room and got as creative as I could. I had one banana, a few chocolate turtles, and some paper.

Let’s combine them all. :)

Choco-Banana Sandwich105mm, ISO 100, f/8, 8 Seconds

Choco-Banana Sandwich
105mm, ISO 100, f/8, 8 Seconds

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Another week has come and gone and I still haven’t had the chance to take a close look at my Nikon 105mm f/2.8 AI-s Micro. Though I attribute that mostly to being sick with laryngitis and the busyness of school, that macro has just been breathing down my neck for a long time now. Hopefully soon, we’ll see. :)

In other news, despite my sickness and schoolwork, I still had many photo assignments to take care of, all of which were enjoyable to photograph. First up, this past Monday was Martin Luther King Jr. Day, which my university participated in as the MLKJr. Day of Service. Around campus we had multiple stations with service projects for students and community members to volunteer to help out the community. These ranged from areas to make Valentine’s cards for veterans…

35mm, ISO 400, f/2.8, 1/40

35mm, ISO 400, f/2.8, 1/40

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Now that school is back in full swing I will have to go back to my weekly update format for the near future. This way, I can have at the very least have a quality post every week filling you all in on my photography happenings. Special events and subjects (such as intermittent lens reviews and the like) will usually warrant their own post. For instance, in a couple weeks I’ll be doing a non-profit portrait session for a local organization that I will most likely be reporting back on here. Photos here and there (many of which will make it into these weekly posts) will be posted to my Google+ and Facebook pages, if you just can’t stand to go without photos from me every day. ;)

But back to the update, I’ve used the 35mm f/1.8 OSS a little more now, and am still enjoying it thoroughly. I’m starting to be able to catch where the aberrations wide-open are, but for the most part I can edit them out, so it’s no big deal. The lens can work for full-body portraits if there is substantial distance between the subject and background, but you still won’t get near the subject separation like a 50mm f/1.4 will provide on a full-frame camera:

Clay35mm, ISO 100, f/1.8, 1/250

Clay
35mm, ISO 100, f/1.8, 1/250

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Sony 35mm f/1.8 OSS

IMPORTANT: If you are unfamiliar with my lens review style, please reference this post first!

I knew I would come around eventually to buying an autofocus lens for the NEX system. The only problem was that all the autofocus lenses that have been released up to now from Sony have been zooms (large and/or slow apertures), primes with “O.K.” image quality (16mm f/2.8, 30mm f/3.5 macro), lenses I already have focal lengths well covered for (50mm f/1.8 OSS), or crazily overpriced optics (Zeiss 24mm f/1.8).

What I was waiting for was a cheap(er), high performing lens that would give great performance at most settings in a small a package as possible—in other words, one that fit with NEX shooting style. Well, it seems Sony has finally done it, releasing their new 35mm f/1.8 for E-mount. With the field of view of 52.5mm in 35mm format, this is the only first-party “standard” solution for the camera apart from using their alpha-mount lenses via a relatively bulky adapter. At $450, it’s not cheap, either. In fact, in my first impressions of the lens, I had my doubts as to whether or not Sony was deliberately price-gouging when compared to the Nikon/Canon equivalents. But a few of my readers brought up great points. Not only does optical stabilization make lenses more expensive than I thought (looking at Canon’s brand-new 35mm f/2 IS), but I am totally incorrect in comparing an SLR lens to a mirrorless lens. With their inherent design differences—mainly, working with a MUCH shorter flange distance—it simply costs more to design compact lenses that cover a whole APS-C sensor without severely compromising optical quality.

Instead, the 35mm f/1.8 should be compared to fellow mirrorless equivalents. A couple to look at, the Panasonic/Leica 25mm f/1.4 and the Fuji 35mm f/1.4 XF R. All three lenses have essentially the same field-of-view, and are close in aperture speed (the Sony only 2/3 a stop slower). The Panasonic/Leica lens runs at about $500, while the Fuji is a whopping $600. Seeing as neither have optical stabilization, the $450 asking price of the 35mm f/1.8 could be argued to be the better deal!

But a cheap(er) lens shouldn’t merit praise on its own, does the 35mm f/1.8 stand up to the power of the NEX-7′s huge 24MP sensor? Let’s take a look! Continue Reading

Okay, okay, so it’s 11:30 p.m. I’m not exactly “on time” for wishing the world a Happy Thanksgiving. Better late than never I suppose. The past couple weeks have been insanely busy on my end, what with term papers and big tests on top of multiple photo assignments (hence why there was no weekend update this past Sunday). But, the good news is that I hope to shoot with both the 70-210mm f/4 E and 50mm f/.95 Noktor HyperPrime this weekend, writing a review on one of them (not sure which, yet). Regardless, you all take care, and have a great Thanksgiving (all 30 minutes left of it!).

Fall Color
50mm, ISO 100, f/5.6, 1/500 (Taken with the Noktor)

P.S. Amazon is running a super deal on the Sigma 30mm f/2.8 for E-mount. It’s $50 off the already amazingly low price of $200. I won’t be reviewing this lens since everyone and their mother knows how great this lens is if they own an e-mount camera, but for anyone who was previously not sure about this optic, at $150 it’s just more of a steal than it already was.