Ramblings

Zeiss 32mm f/1.8

I’ll be reviewing the lens on the left. Image from Zeiss’ website.

After a good long wait, some time today I’ll be receiving the brand-new Zeiss Touit 32mm f/1.8 for E-mount. I’ve been looking forward to this lens ever since catching wind of early rumors, and even more-so after finding it to be even cheaper than the Zeiss $1100 24mm f/1.8. After extended shooting with the Sony 35mm f/1.8 OSS, a lens I do like, I’ve found myself needing more sharpness and less lateral out-of-focus fringing at wider apertures. The Sony just isn’t cutting it on the resolution-monster NEX-7.

In steps the 32mm f/1.8, a lens Zeiss coins the “Magician of the Moment”. Sporting Zeiss’ proven “Planar” optical design, this lens may prove to be a powerful optical powerhouse in a compact design. I have extremely high hopes for this one. More to come soon. Depending on how much I can shoot with it day-of-arrival, I hope to have a hands-on video and/or some first impression photographs to share within the next couple days. Check back often or follow me by clicking the orange “Follow” button on the right of your screen.

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Well, first order of business out of the way, I haven’t posted anything on the site in a while. A week-and-a-half, to be exact. Though I mentioned previously that I would soon go back to my old–and quite frequent–posting routine, I didn’t realize just how busy I would be in my last micro-semester before the beginning of summer. That, combined with sickness, has made it difficult to get out and make photographs aside from my normal work assignments. I still have a lot of work to do on the 85mm f/1.4 review, but will get that up as soon as I am able.

So! As many may know, I had to send in my NEX-7 for intensive repair relatively recently. The sensor cleaning function had completely quit working, and I wanted to get it fixed before my warranty ran out (which would have been just a few weeks ago). Instead of the optical low-pass filter activating ultrasonic vibrations to knock dust loose for easy removal, nary a click could be heard when the cleaning mode was supposedly activated.

After a brief back-and-forth with Sony’s online repair center, I got everything squared off with a prepaid overnight to Sony’s repair center in Laredo, Texas. Important note, everything else about the camera was near perfect, both cosmetically and functionally. Sony lists about a 10-day turnaround for repairs, which I was well aware of. However, I hoped to get the camera back a little ahead of time so I could use it on a trip to Destin. I would be leaving on a Friday, so I called the repair center on Wednesday of that week to get ahold of upper management. Politely I asked that if there was any way to expedite my main repair (since I previously wrote in the repair order to also do a full-diagnostic to check for other problems, as well as a cleaning if possible), I would appreciate getting it by Friday. I was assured by two different people that it would be shipped out that day in order to make it by Friday (I called twice that day to confirm).

All is well, right? Wrong. Strike one. My NEX-7 was instead overnighted the day I left, so it arrived home while I was halfway to Destin. Bummer. Compound that with the fact that I couldn’t access my mail for another two weeks, and I was rather anxious to get my camera back.

Strike two. Upon opening my tightly-packed NEX-7, I found to my dismay that not only was the sensor cleaning function not repaired, but the LCD screen (which was immaculate when I sent the camera in) had large, multiple marks of coating loss all over the screen. I honestly thought I had received a different camera with my serial number merely stamped onto it. How could they send me a camera in worse shape then before? I knew that the problem with the screen couldn’t be due to temperature fluctuations in shipment—I’ve used the camera without fail in 100-degree heat and 10-degree cold—so needless to say I was irked with this treatment.

After a lot of runaround, I got Sony to file another repair order. They knew that if it wouldn’t be repaired this time, I would get my money back and go to something else (honestly, my confidence in the company was shaken, and the Nikon d600 looks VERY tempting). As a kind gesture, they sent a loaner NEX-7 to use during my repair period.

Finally, after about six weeks total, I ended up with a fully-functional NEX-7. The sensor cleaning works, and the LCD screen is good-as-new. Why they didn’t repair it right, the first time, is beyond me. The repair parts along with the cost of overnight shipping surely weren’t cheap, and ordering twice of everything didn’t help matters.

Instead of striking out, Sony hit a solid double out to left field; extending the warranty another six months. Very nice of them, so we’ll see if the camera needs any more work in the near-future. I sure hope not. ;)

I recently looked through an article in the archives of digital-photography-school.com (great website with helpful tips and tutorials that I frequent) that got me inspired: they put together a “Top 10″ list of photography quotes from world-famous photographers, seen here.

What I wish to do is write a 10-part series analyzing each quote in a little further detail than the author–Hákon Ágústsson–did, accompanying my writing with one or two photographs symbolizing the quote in some way. I wouldn’t exactly call this a project (like a 365 day or 52 week project) due to the relatively few writings/pictures I’ll be posting. Instead, I think it would be a fun way for me to look into both who I am and what I know as a photographer, and what I can do to get better at this art.

But just for fun, I want to gauge YOUR interest in a short series like this! See poll below:

The Sony NEX-7 has been out for almost a year now (though realistically was delayed for a few months due to the Thailand floods), and many customers–including me–were hoping for an early firmware update to improve basic functionality, and give the camera features that should coincide with its “flagship” designation. Well, after such a long wait, the Sony Germany website has just released an update which gives five new features (this is copied from their website, note that unless you are one of my Germany readers, wait until the update becomes available for your country’s Sony website to avoid compatibility issues) to the NEX-7:

  • Addition of capability to enable or disable the MOVIE button
  • Addition of exposure settings of bracket shooting (three frames /1.0EV,2.0EV, 3.0EV)
  • Improvement of response for showing auto review image
  • Improvement of image quality when using a wide angle lens
  • Improvement of indication when setting “Flexible Spot”

So what this means is:

  • No more accidental time-wasting movies due to the awkward placement of the movie button
  • True flexible exposure bracketing is now available for proper HDR photography (more than three frames would have been welcome, though)
  • Responsiveness is improved
  • Lenses such as the upcoming 10-18mm f/4 OSS, 16mm f/2.8, and 24mm f/1.8 should perform better, at least in JPEG

I don’t really know about the last point, but I’m sure it helps out with overall operation. I’m very glad Sony has finally listened to some of the biggest complaints with this otherwise amazing camera (movie button, crippled +/- .07 bracketing). Though there are still features which I feel should be “standard” on a camera of this class, such as the option to set an Auto ISO range, the ability to manually enter EXIF data for non-electronic lenses, or even a basic intervalometer function (the Nikon d300 has all of these, and more), Sony is at the very least headed in the right direction. Until now I had honestly lost all hope for an update. As a result, I was losing hope in Sony as a camera company, because I was feeling they weren’t supporting their high-end products like a good camera company should. Well, the support is finally here (though a little late), and I can’t wait until it becomes available on the Sony US website! Sony has–for now–gotten my loyalty back. :)

About two months ago to this day, I reported on a couple new tools I had acquired for more stable shooting, a manfrotto tripod and geared head. I was ecstatic with the combination, everything felt generally tight and secure. I believed I had a solid tripod setup, one which would last many, many years. After all, the geared head took the weight of my 300mm f/2.8 like a champ, and the tripod raised up to an extremely tall height even without the center column extending. The multi-degree legs allowed for great macro positioning on subjects literally on the ground, and the aluminum legs locked into place tightly.

But then, the problems started.

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As much of a joy as it is using manual lenses with my NEX-7, I would love to have the ease of autofocus in my near future. The only problem with getting a current native e-mount autofocus lens is they all employ the lesser Contrast Detect Auto Focus (CDAF, focus is found via contrast) rather than the more efficient and generally faster Phase Detect Auto Focus (PDAF, focus is found via distance tracking), the latter of which I am used to from previous cameras. Though in good light, CDAF is known to be accurate and fast, the scenarios where I would love to use it–focusing in low light and motion tracking–the system as a whole falters. It isn’t designed for focus tracking, and in low-light, there is no contrast to detect! This is put up beside PDAF, which all DSLRs use to some degree, and focusing on subjects in low light and in motion are a cinch.

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