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All posts for the month October, 2012

Shoot Remote

The first thing which comes to mind when writing this has to be “why in the world am I taking time out of my schedule to review a $3.22 remote?”

It’s simple, this little infrared remote release is one of the most important pieces of gear to have with you when doing tripod exposures, whether they be long (non-handholdable) or short (easily handholdable). The premise of this remote is pretty simple: make a small rectangular box with an IR emitter that can immediately trip the shutter or delay the shutter by two seconds on an infrared-compatible camera. That’s it. But it’s the simplicity of it that makes it so great. Continue Reading

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Another “three macros” post for today, I took my 105mm f/2.8 AI-s Micro out with its dedicated PN-11 extension tube to try a bit of handheld 1:.88 magnification photography. Lessons learned:

1. Don’t try this anymore

2. Relax and take slow, deep breaths

3. Burst mode is a lifesaver

4. Direct sunlight can be helpful

5. Really, just use a tripod from now on

Handholding at this much of a magnification ratio is absolutely ridiculous. The smallest twitch will not only result in motion blur (if the shutter speed isn’t at least 1/320), but will completely move the focus points. Even at f/8, the depth-of-field at 1.34 feet is just over a tenth of an inch. Steady hands (which I feel I have) are a godsend.

Regardless, a few shots were made that I’d like to share. All taken with the Sony NEX-7:

Natural Grid

Natural Grid
105mm, ISO 800, f/8, 1/80

Flowerception

Flowerception
105mm, ISO 800, f/5.6, 1/125

As mentioned, by using a tripod, greater depth-of-field and higher image quality can be obtained. Only hard part is positioning the tripod!

Hidden Beauty

Hidden Beauty
105mm, ISO 100, f/16, 1/200

Now all I need to do is find some little scrambling, bumbling bugs to photograph. THAT will be a fun challenge. :)

That’s all for this post guys and gals, thanks for dropping by, and as always, have a great day!

I haven’t done one of these posts in a while, partly due to the fact I have been too busy with classes and other photo assignments to really have a chance to be “artsy” in my photography. But, I ran into a peculiar subject recently which was almost begging me to give it a thorough post-processing treatment of how my mind’s eye visualized the scene. If you are unfamiliar with this series, see here for a history of these posts.

As a matter of personal principle, I tend to stay away from photographing and sharing “pet pictures”. You know the kind. Those little snaps of people’s cats and dogs which can fill up over half of all their online profiles. Those pictures which tend to have no artistic creativity. Those shots that, quite frankly, are boring to look at unless it’s your own pet (due to the almost familial connection you feel to it). But, like most rules, there tend to be exceptions. There’s a local stray cat that has called my university’s campus home for about half a year now. Some of the students have even named this little guy who still appears to be a growing adolescent feline. It’s extremely friendly, walking up to total strangers and sprawling out on concrete sidewalks, begging to be petted and admired.

That quality in particular makes it extremely easy to get a good close-up. In this unedited, straight-out-of-camera shot, I used the Sony NEX-7 with my 105mm f/1.8 AI-s at f/2.8, ISO 100, and 1/320 right at the close-focus distance of 1 meter.

Mind's Eye #5 Original

In all fairness, this original photo turned out pretty good, focus was nailed on the eyes, and the 3-D effect from shooting up close at the wide f/2.8 aperture works well. The low shutter speed due to shooting under shade didn’t result in any noticeable motion blur, and the framing is okay.

But, I wanted more. I’ve taken a liking to “HDR Portraits” recently, a style of photography which emphasizes every single detail of a subjects face through extreme contrast, extended dynamic range, and sharpness. In LR4, I do not have the capability to stack multiple exposures (which is a shame), but the “clarity” slider can sometimes be used to imitate the effect. Along with that slider, I wanted to bring out the vibrancy and saturation of the colors on the cat’s face. And to top it all off, I was compelled to strengthen the composition further with a square crop putting the top right eye smack-dab on two intersections of the rule-of-thirds grid (I also added a touch of vignette to emphasize this even more). The end result is a “pet picture” I’m pretty proud to share.

Mind's Eye #5 After

That’s all for this post guys and gals, thanks for dropping by, and as always, have a great day! :D